(This is the fifth in our film noir series. Thanks to Ben, David, Ray, and Tim for their highly entertaining and insightful posts, and special thanks to Ben for getting USIH involved. See his original post for details on the film noir blogathon and the Film Noir Foundation.) Unlike my colleagues, I am not dedicating my blogathon contribution to one of the noir classics. Instead, I will analyze the not-so-hidden meanings of a recent film that fits the neo-noir category, among other genres, in the typical postmodern fashion of mixing and mashing: Sin City, the 2005 adaptation of Frank Miller’s Read more