Few bands can lay claim to visuals as striking as Black Flag’s, and that imagery is central to Black Flag’s anti-systemic working-class conservatism. Greg’s brother Raymond Ginn (nicknamed Pettibon by their father) not only came up with the name, but also produced the iconic, vicious pen and ink artwork that first adorned countless photocopied flyers for shows, Black Flag and other SST bands’ record sleeves, and soon thereafter bound volumes and gallery walls. Pettibon’s art, together with Black Flag’s producerism and Carducci’s writings on rock, coalesced to forge a new working-class counter-culture in the long shadow of the counter-cultures of Read more